Who thought someone could take the 1966 Adam West Batman film and actually make it look epic? I know I didn't. Oh well. "Some days you just can't get rid of a bomb."
Beatlemania 2009
So let's talk music, shall we? It's been a while since I've blogged about it. I consider the Beatles to be the greatest band that ever was or will be, period. Call me closed-minded or biased, but that's what I think. I'll admit I'm a bit of a music snob. I've been anticipating the re-release of the British versions of the Beatle albums since I heard about it earlier this year. Appropriately, they were released this past Wednesday, 9/9/09.
I listened to every album in chronological order over the course of two days, and let me tell you, this is the way to listen to these albums! Never before have they sounded so crisp and so clear, and never have they been mixed to such perfection. The 1988 CD releases pale in comparison to the new ones. For over 20 years, those releases were the only way these albums could be heard on CD, but now they sound muddy and bland compared to the 2009 editions. I've been waiting for something this amazing literally all my life, and I am very pleased indeed.
I found that the biggest improvements could be heard on songs that were heavy in acoustic guitar or piano. There was a freshness and a cleanness to those tracks that I've never heard before. Songs like "Yesterday," "Blackbird," "You've Got to Hide Your Love Away," and "Till There Was You" sounded especially crisp. "Yesterday" brought me to the verge of tears; I really felt as though Paul and the string quartet were in the room with me. I could hear every breath, every strike of a pick against a guitar string. Some of the better-sounding piano songs included "The Fool on the Hill," "Golden Slumbers," and "Martha My Dear."
Of course, the louder songs sound amazing, too. "While My Guitar Gently Weeps," and "She's So Heavy" blew me away, as did "Helter Skelter" and the end of "Hey Jude." More complex selections like "A Day In The Life," "Being For The Benefit of Mr. Kite," "And Your Bird Can Sing," "Because," and the Abbey Road closing medley ("Golden Slumbers," "Carry That Weight," "The End") were brought up to a whole new level, chiefly because of the excellent use of the stereo field. The rich sound and presence of those songs is more enjoyable than ever.
There were several instances where I noticed small details that had previously been buried, especially on the earlier albums. On the Please Please Me album, for example, I noticed John half-laughing as he sang, Ringo's voice cracking, and on two or three occasions, a little bit of background noise in the studio. There were occasions on other albums where I could hear someone (presumably John) tapping on his guitar to keep time, and once I even heard Paul whispering as he counted the beats. These imperfections don't detract from the music at all. In fact, they make it more real. Listening in the best headphones I own, I really felt the music surround me physically. This speaks to the brilliance of the remixes and shows how much was missing from the 1988 versions.
Perhaps what helped me to enjoy this re-issue so much is the fact that I imported it into my iTunes library in Apple Lossless format instead of the usual MP3 or AAC. The best music demands to be heard in the best quality, so I turned to lossless to preserve the remastered edge. I've never really considered myself an audiophile, but I had to give this particular collection the Red Carpet treatment. Put simply, Apple Lossless is software that compresses audio files without sacrificing the sound quality. The files are about four times larger than MP3s, but the audio quality is exponentially better. I'm really glad I made that decision, because it enhanced the experience more than I can put into words.
So at the end of the day, I'd call the 2009 Beatles Stereo Box Set a necessary part of any music collector's library. Apart from vinyl, which will always be special to me, this is the only way anyone should ever experience the Beatles from now on. You haven't heard these songs until you've heard them as they are presented in this set.
I listened to every album in chronological order over the course of two days, and let me tell you, this is the way to listen to these albums! Never before have they sounded so crisp and so clear, and never have they been mixed to such perfection. The 1988 CD releases pale in comparison to the new ones. For over 20 years, those releases were the only way these albums could be heard on CD, but now they sound muddy and bland compared to the 2009 editions. I've been waiting for something this amazing literally all my life, and I am very pleased indeed.
I found that the biggest improvements could be heard on songs that were heavy in acoustic guitar or piano. There was a freshness and a cleanness to those tracks that I've never heard before. Songs like "Yesterday," "Blackbird," "You've Got to Hide Your Love Away," and "Till There Was You" sounded especially crisp. "Yesterday" brought me to the verge of tears; I really felt as though Paul and the string quartet were in the room with me. I could hear every breath, every strike of a pick against a guitar string. Some of the better-sounding piano songs included "The Fool on the Hill," "Golden Slumbers," and "Martha My Dear."
Of course, the louder songs sound amazing, too. "While My Guitar Gently Weeps," and "She's So Heavy" blew me away, as did "Helter Skelter" and the end of "Hey Jude." More complex selections like "A Day In The Life," "Being For The Benefit of Mr. Kite," "And Your Bird Can Sing," "Because," and the Abbey Road closing medley ("Golden Slumbers," "Carry That Weight," "The End") were brought up to a whole new level, chiefly because of the excellent use of the stereo field. The rich sound and presence of those songs is more enjoyable than ever.
There were several instances where I noticed small details that had previously been buried, especially on the earlier albums. On the Please Please Me album, for example, I noticed John half-laughing as he sang, Ringo's voice cracking, and on two or three occasions, a little bit of background noise in the studio. There were occasions on other albums where I could hear someone (presumably John) tapping on his guitar to keep time, and once I even heard Paul whispering as he counted the beats. These imperfections don't detract from the music at all. In fact, they make it more real. Listening in the best headphones I own, I really felt the music surround me physically. This speaks to the brilliance of the remixes and shows how much was missing from the 1988 versions.
Perhaps what helped me to enjoy this re-issue so much is the fact that I imported it into my iTunes library in Apple Lossless format instead of the usual MP3 or AAC. The best music demands to be heard in the best quality, so I turned to lossless to preserve the remastered edge. I've never really considered myself an audiophile, but I had to give this particular collection the Red Carpet treatment. Put simply, Apple Lossless is software that compresses audio files without sacrificing the sound quality. The files are about four times larger than MP3s, but the audio quality is exponentially better. I'm really glad I made that decision, because it enhanced the experience more than I can put into words.
So at the end of the day, I'd call the 2009 Beatles Stereo Box Set a necessary part of any music collector's library. Apart from vinyl, which will always be special to me, this is the only way anyone should ever experience the Beatles from now on. You haven't heard these songs until you've heard them as they are presented in this set.
Team Fake Comic Con FTW!
Ringo Wants to Sing More
Just So Much Podcasting
I've been podcasting like a fool lately. I really love the medium and I'm always looking for a chance to speak my mind on a range of topics, so it really shouldn't be all that surprising, yet when I look at the hours I spend recording and editing podcasts, it is more than a little insane.
First and foremost, I'd like to announce the start of a new podcast hosted by friends William, Hunter, and myself: Lights, Camera, Podcast. As the title suggests, LCP is a movie podcast. Each week we have a great time making fun of each other while occasionally going into some movie talk, too. While that's a bit of an exaggeration, we do discuss the biggest new releases we all had the chance to see, as well as any other films -- both new and old -- that we managed to catch at our leisure. It's a ton of fun to record and we hope you'll enjoy listening to it. Our first episode covering Star Trek is already available on iTunes, and a second episode about Terminator Salvation and a number of other films should be up soon.
Then of course there is my most consistent show Echo Alert. Though Dollhouse is off the air for the summer, Andrew and I are very excited about the confirmed Season 2 pickup and will continue the show on a bi-weekly basis through the summer until the show returns. We've got some fun stuff lined up including a couple of soon-to-be-announced contests, guest co-hosts, and some other possible goodies, so stay tuned!
I should also mention some guest spots I've been doing lately. Both happen to be related to the world of comic books. At the end of each month, I host a segment of the Geekland Podcast entitled This Month in Superman. It's my chance to spend a few minutes gushing on events occurring in the Superman family of comics. My most recent segment appears in episode 85. In addition to that, just last night I was asked by my friend William (also of LCP) to step in and co-host this week's episode of Between the Panels, his own comics podcast. It was unexpected and last-minute, but I was really glad I did it, because I had a ton of fun talking comics with him. That episode (number 12) should be out within the next week.
Finally, there is the project nearest and dearest to my heart, FMF. It was my very first podcasting foray, and I'm proud to continue DJ-ing to this day. It's always a blast when I get a chance to sit down and record an episode, even though I don't always get a chance to do that as often as I'd like to. I look forward to keeping the show up for the foreseeable future going forward.
So as you can see, I've been very busy lately. At least that new equipment I recently purchased is being put to good use. Now I just need to strike it rich and get my own place with a dedicated podcasting studio. What?
First and foremost, I'd like to announce the start of a new podcast hosted by friends William, Hunter, and myself: Lights, Camera, Podcast. As the title suggests, LCP is a movie podcast. Each week we have a great time making fun of each other while occasionally going into some movie talk, too. While that's a bit of an exaggeration, we do discuss the biggest new releases we all had the chance to see, as well as any other films -- both new and old -- that we managed to catch at our leisure. It's a ton of fun to record and we hope you'll enjoy listening to it. Our first episode covering Star Trek is already available on iTunes, and a second episode about Terminator Salvation and a number of other films should be up soon.
Then of course there is my most consistent show Echo Alert. Though Dollhouse is off the air for the summer, Andrew and I are very excited about the confirmed Season 2 pickup and will continue the show on a bi-weekly basis through the summer until the show returns. We've got some fun stuff lined up including a couple of soon-to-be-announced contests, guest co-hosts, and some other possible goodies, so stay tuned!
I should also mention some guest spots I've been doing lately. Both happen to be related to the world of comic books. At the end of each month, I host a segment of the Geekland Podcast entitled This Month in Superman. It's my chance to spend a few minutes gushing on events occurring in the Superman family of comics. My most recent segment appears in episode 85. In addition to that, just last night I was asked by my friend William (also of LCP) to step in and co-host this week's episode of Between the Panels, his own comics podcast. It was unexpected and last-minute, but I was really glad I did it, because I had a ton of fun talking comics with him. That episode (number 12) should be out within the next week.
Finally, there is the project nearest and dearest to my heart, FMF. It was my very first podcasting foray, and I'm proud to continue DJ-ing to this day. It's always a blast when I get a chance to sit down and record an episode, even though I don't always get a chance to do that as often as I'd like to. I look forward to keeping the show up for the foreseeable future going forward.
So as you can see, I've been very busy lately. At least that new equipment I recently purchased is being put to good use. Now I just need to strike it rich and get my own place with a dedicated podcasting studio. What?
This Song Just Won't Quit!
For several days now, I haven't been able to get this song out of my head, no matter how hard I try. Does it do the same to you?
TV CatchUpdate
For the last couple of months I've been working on improving my Geek Cred by catching up on the many TV shows & films I missed out on when I was busy trying to pretend I had a life. When last we spoke, I was working my way through Joss Whedon's Firefly. It continues to roll along smoothly:
- Terminator -- DONE
- Terminator 2 -- DONE
- Terminator: The Sarah Connor Chronicles -- DONE
- Firefly -- DONE
- Serenity -- DONE
- Buffy the Vampire Slayer -- IN PROGRESS
- Angel
- Supernatural